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The New American Digest

For Followers of Gerard Van der Leun's Fine Work

  • About American Digest
  • About New American Digest
  • “The Name In The Stone”
  • Remembering Gerard Van der Leun
    • from the website: Through the Looking Glass
    • from the website: Barnhardt
    • from the website: Neo’s Blog
  • Articles
    • The Overland Stage
      • The Holladay Overland Stage: 1 – The Central Route
      • The Overland Stage – 2 Company Operations
      • The Overland Stage – 3 Exploring The Route – An Overview
      • The Overland Stage: 4 – South Platte/Julesburg/Ft Sedgwick
        • Jack Slade
      • The Overland Stage: 5 – Julesburg to Junction Station (aka Ft Morgan)
      • The Overland Stage: 6 – Junction Station to Latham
      • The Overland Stage: 7 – Latham Crossing to Fort Collins
      • The Overland Stage: 8 – LaPorte to Virginia Dale
      • The Overland Stage: 9 – Virginia Dale to Cooper Creek
      • The Overland Stage: 10 – Cooper Creek to Pass Creek
        • Fletcher Family
      • The Overland Stage: 11 – Pass Creek to Bridger Station
      • The Overland Stage: 12 – Bridger Pass to Duck Lake
      • The Overland Stage: 13 – Duck Lake to LaClede
      • The Overland Stage: 14 – LaClede to Almond
      • The Overland Stage: 15 – Almond to Rock Springs
      • The Overland Stage: 16 – Rock Springs to Fort Bridger
      • The Overland Stage: 17 – Fort Bridger to Weber Station

I find I don’t wish to explore new lands, but to explore again those I have already passed through, trying to see what I’d missed in the first hectic rush … Gerard Van der Leun

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Author Archives: DT

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The Homestead

The New American Digest Posted on April 24, 2025 by DTApril 23, 2025

(not mine)

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Which?

The New American Digest Posted on April 23, 2025 by DTApril 22, 2025

Sometimes, this is how I feel when I have a post idea.

I actually just trashed one that on hindsight, felt it added nothing and subtracted much. I'll leave some of my developing ... hatred? ... of "things" to myself.
It's hard sometimes to keep from spewing out in public. Don't we all get enough of that most of our waking hours everywhere we look?

Not that I'm all in for rainbows and unicorns ...

This is much better:

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Stats

The New American Digest Posted on April 22, 2025 by DTApril 22, 2025

Was poking around the Dashboard; thought I'd share site stats for the past 30 days.

Averaging between 40 and 60 visitors per day, depending on the time period selected. Not sure what the difference is between "Views" and "Visitors". I suspect the peak there in the middle is from when Neo shut AD down and referenced people to this site.

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Urth Day

The New American Digest Posted on April 22, 2025 by DTApril 22, 2025

I remember the first earth day: a warm sunny day in April 1970 giving us an excuse to cut class and enjoy the day.

Like my time hearing George McGovern give a speech in person, the lasting effect was the opposite of that intended. "Earth Day" was a cover for something; I still don't exactly know what but I have my suspicions.

Giving a bit of myself away, I spent time as a professional in a closely-related field ... and many of the so-called "problems" were manufactured to provide an excuse for mandated "solutions".

Earth Day. Bah, humbug!

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Seattle 1990

The New American Digest Posted on April 22, 2025 by DTApril 22, 2025

It was crazy then, but nice crazy ... not "they're coming to take me away" crazy like it is now.

A work-friend whose name I've now forgotten.
I left Seattle not long after I took this photo.
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Two Tunes For Tuesday – On “Jane”

The New American Digest Posted on April 22, 2025 by DTMay 7, 2025

A sample of some obscure – and some maybe not obscure – tunes from my strange and off-the-wall collection.

Today’s selections: Jon Astley "Jane's Getting Serious" 1987 and Superfine Dandelion - "Janie's Tomb" 1967
They just seem to go together ...

Jon Astley is a British record producer and recording engineer. The list of groups he worked with is extensive: The Who, Eric Clapton, Rolling Stones, etc. He recorded two albums as songwriter/singer in the late '80s. "Jane's Getting Serious" is the most prominent of these.

Superfine Dandelion was a 1967 garage rock band out of Phoenix. They recorded one no-hit album and broke up in 1968. One of their members - Rick Anderson - became the founding bassist for the Tubes.

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Church vs. Religion

The New American Digest Posted on April 21, 2025 by DTApril 20, 2025

So ... Easter's over, time to put religion away until Christmas season begins in July (/snark)

I love memes; been collecting them almost as long as they've been in existence. Just saw these; seem appropriate for me.

Been to too many like this ... or worse. All talk but ...
so I don't go anymore
Works for me
My mustache doesn't droop as far
I don't wear glasses in general
My hair's not yet that white but it's usually that long
I haven't been on a horse for a long time
but the hat's close
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Easter

The New American Digest Posted on April 20, 2025 by DTApril 20, 2025
Royal Choral Society
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April 19 – 250 Years Ago

The New American Digest Posted on April 19, 2025 by DTApril 18, 2025

The American Revolution started at dawn in Lexington, Massachusetts. The Americans defeated a British force, driving them back to Boston.

The enemy doesn't wear red uniforms these days ... but their spirit still exists; among other places, still in the capital of Massachusetts.


However, lest we forget, also on this date in 1993, the Federal government showed us they were the true inheritors of the British Crown.

They might have had weapons ...
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On The Eighteenth Of April, In Seventy-Five

The New American Digest Posted on April 18, 2025 by DTApril 18, 2025

Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-Five:
Hardly a man is now alive
Who remembers that famous day and year.

He said to his friend, “If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry-arch
Of the North-Church-tower, as a signal-light,—
One if by land, and two if by sea;

And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country-folk to be up and to arm.”

Then he said “Good night!” and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war:
A phantom ship, with each mast and spar
Across the moon, like a prison-bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.

Meanwhile, his friend, through alley and street
Wanders and watches with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers
Marching down to their boats on the shore.

Then he climbed to the tower of the church,
Up the wooden stairs, with stealthy tread,
To the belfry-chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,—
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town,
And the moonlight flowing over all.

Beneath, in the churchyard, lay the dead,
In their night-encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel’s tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, “All is well!”
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay,—
A line of black, that bends and floats
On the rising tide, like a bridge of boats.

Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride,
On the opposite shore walked Paul Revere.
Now he patted his horse’s side,
Now gazed on the landscape far and near,
Then impetuous stamped the earth,
And turned and tightened his saddle-girth;
But mostly he watched with eager search
The belfry-tower of the old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry’s height,
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns!

A hurry of hoofs in a village-street,
A shape in the moonlight, a bulk in the dark,
And beneath from the pebbles, in passing, a spark
Struck out by a steed that flies fearless and fleet:
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.

He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders, that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the tramp of his steed as he rides.

It was twelve by the village clock
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer’s dog,
And felt the damp of the river-fog,
That rises when the sun goes down.

It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, blank and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.

It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadows brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket-ball.

You know the rest. In the books you have read,
How the British Regulars fired and fled,—
How the farmers gave them ball for ball,
From behind each fence and farmyard-wall,
Chasing the red-coats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.

So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,—
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo forevermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.

Henry Wadsworth Longfellow - 1863

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Contact: dt@newamericandigest.org

Gerard Van der Leun
12/26/45 - 1/27/23


Gerard's Last Post
(posthumous): Feb 4, 2023
"So Long. See You All a Little Further Down the Road"

When my body won’t hold me anymore
And it finally lets me free
Where will I go?
Will the trade winds take me south through Georgia grain?
Or tropical rain?
Or snow from the heavens?
Will I join with the ocean blue?
Or run into a savior true?
And shake hands laughing
And walk through the night, straight to the light
Holding the love I’ve known in my life
And no hard feelings

Avett Brothers - No Hard Feelings

The following was posted along with the announcement of Gerard's passing.
Leonard Cohen - Going Home

For a 2005 interview with Gerard


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Blogroll
The New Neo
Jean's Blog - Pondering
The Feral Irishman

Hey, Mr. Tambourine Man,
play a song for me
I'm not sleepy
and there ain't no place I'm goin' to

Hey, Mr. Tambourine Man,
play a song for me
In the jingle jangle morning,
I'll come followin' you

Take me for a trip upon
your magic swirling ship
All my senses have been stripped
And my hands can't feel to grip
And my toes too numb to step
Wait only for my boot heels to be wanderin'

I'm ready to go anywhere,
I'm ready for to fade
Unto my own parade
Cast your dancing spell my way
I promise to go under it


Men who saw night coming down about them could somehow act as if they stood at the edge of dawn.


From Gerard's site. The picture always caught my eye.

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Contact: dt@newamericandigest.org

About "DT"

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